This past February, my wife and I took a weekend trip to San Francisco, where we stumbled across the city’s cathedral – St Mary of the Assumption, by Pierluigi Nervi and Pietro Belluschi. The church is a square, with large piers in the corners supporting a gargantuan lantern, which also doubles as the church’s campanile. The large piers dominate the four corners which have been rendered in finely detailed glass storefronts, effectively making the church more of a standard Greek cross rather than the centrally-focused square it purports to be. I’ll be featuring my own riffs on this project over the coming days, but for now, I’ll let you appreciate the brutal simplicity of the form that started it all.
[…] Friday’s post on the High Modernist St. Mary of the Assumption, I present you with another Greek cross church plan, H. H. Richardson’s Trinity Church in […]
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[…] cues from both the Nervi and Richardson projects, this church places a large tower campanile at the crossing. The […]
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[…] a final touch upon the last few posts here (this one, this one, and these two), I just up and slapped Richardson and Nervi on top of one another, […]
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