First, an apology for erratic postings lately: my wife and I spent a gorgeous weekend in Yosemite, where I photographed the granite quoins of the elegant bridges as I did the granite faces of El Capitan and the Falls; and I’m neck deep studying for licensure. But neither of those should give cause to think that I have ceased to draw. Indeed, my study copies of the AIA contracts are filled with margins of vernacular, agricultural, and ‘rustic’ architectures. Many of which I hope to make onto frame in the coming weeks.
But for now, more Lutyens. Two details: a Tuscan pilaster as reduction rather than addition, taken from his war memorial at Thiepval, France (adapted with stars per Paul Philippe Cret’s own memorial at Chateau-Thierry); and my own interpretation of a common Lutyens formal operation – changes in plane alternate from side to side, rather than retaining diagonal symmetry (again, look at the Thiepval memorial, especially the lower arches, where the walls step in from the side before stepping in from the front, and then repeating as it goes up…).