a hillside elevation

VILLA_09

Most often, architects design with ‘plan as generator’, that is we begin designing a building with the floor plan, and derive all the elevations, sections, and even details from it.

Today, though, is something different.  This began as an elevation – what you see above.  I was thinking something between Adolf Loos and Irving Gill, with a Richardsonian picturesque quality – a ‘character study’ if you will.  A rectangular volume makes up the center with a cubic one stepped down to the right and a smaller cube to the left, with a stair tower at the ‘rear’.

The plan – below – came after, trying to work out precisely how the different squares and modules worked together, playing localized symmetries and forms against one another, and eventually placing a formal parterre garden on the upper level with a pool deck on the lower, while a gravel auto court fleshes out the public side of the property.

VILLA_08

a studio, hillside

STUDIO_06

Small (often illegal) studios riddle the Hollywood Hills, where all ilk of entertainment-oriented folk hash out their hits and edit down their next Oscar-worthy performances. . . or so the stereotype goes.

This is such a studio – a miniature white cube set deep into the hillside with a service shed and private garden adjacent.  Upon approach, only the pyramidal skylight is visible, slowly revealing the tall archways underneath upon descending a spiral stair.  The form itself owes much to both Irving Gill and O.M. Ungers, with a few picturesque moments from Wallace Neff’s Spanish Colonial Revivalism thrown in for good measure.  Upcoming posts will feature the interior of the studio, with that large skylight and intricate trusswork above.