After taking a little well-needed vacation, I’m back with more frame. Specifically, I’m sharing a continuation of the past two posts – a hillside studio and home. Both of these projects included a small cubic volume topped with a pyramidal skylight. This particular ‘studio’ typology is explored more fully here. While the exterior is a solid white stucco-ed cube, the interior shows a four-square heavy timber frame, with a pair of wood scissor trusses forming a smaller cube at the top, which is itself topped by the skylight proper. Since the geometry is a bit difficult to make out in these projections, I’ll draft up a quick perspective for a subsequent post.
I think through drawing; I interpret as I reproduce. The drawing above perfectly capture this, where I set out to draw an accurate representation of an existing floor plan and ended up drawing what I wanted to see. The project in question is Frank V. Klingeren’s T-Karregat Center in Eindhoven, of 1973. The original is a system of steel truss ‘trees’ that serve as both structure and building systems, in some Reyner-Banham-dream-come-true, culminating in large pyramidal skylights that provide the majority of the light to an otherwise free plan interior.
My interpretation keeps the modular system, but lays it out in a rigor more reminiscent of early SOM (Mitchell Hall at the US Air Force Academy), and imagines it rendered in popular-once-again heavy-timber framing. The drawings below investigate the basic modularity, the nine square, and centering.