Following the last post, this long hall also features two heaths, though here they’re in the form of the modernist cone fireplaces popular in the 60’s, and are placed along the length of the structure rather than at its ends. The most defining characteristic of this project though are the long roof rafters that are extended past the walls but without carrying any projecting eave of the roof itself. This was taken from a derelict barn building I drove past over the winter break, where the eaves had been completely bereft of their roofing, leaving only bare joists.
My apologies for a lack of posting in recent months, between the holidays and another licensing exam, my drawing and posting output has been admittedly underwhelming.
But enough of that. This is a long, gabled hall with a large hearth dominating the principal axis and full-height windows along the middle, topped with a square pyramidal skylight set at a diagonal. Entry is by low porches at either end, flanking the hearths. Formally, this takes influence from the main dining room at Charles Whittlesey’s El Tovar hotel along the south rim of the Grand Canyon, where my wife and I enjoyed a Boxing Day brunch. My own predilection for Mies-ian staircases, the diagonally-placed skylight, and the half-round dormer windows make it worthy of a post on frame. Elevations follow.
While studying for my latest licensure exam, I came across a simple section of a ranch-style home, which I couldn’t resist but take stab at. The hearth above is the result of that drawing, and the plans below are the further explorations thereof. The floorplan references Mies’ linear homes of the mid 1950’s (McCormick, 1952 & Greenwald, 1955), with a linear series of kitchen, dining, and living spaces separated by casework storage and toilet units, while long porches flank full-height doors. Because my first plan neglected to include the bathroom in particular, the bottom sketch notes how the bath, murphy bed, and storage unit works out.
This is a piece of a larger puzzle, the basic parti of which is sketched above. The stair is located centrally in the square plan, and is itself a nine-square plan. Tectonically, the stair is supported on a peristyle of Tuscan pilasters, while the stair proper is takes its details from Mies’ Crown Hall at IIT, and tall fireplaces occupy three sides (their form, a take on Schindler’s Kings Road House.