from industrial to domestic

PILOTI_02

Today’s piece stems from an industrial building I passed by at Los Angeles’ wastewater treatment plant.  The original was a blue corrugated steel box on diagonally braced stilts, with triangular recesses and frames above second story doors.  I have no idea what this is used for.  None.  But The deliberateness of the design was evident, as the entire plant had been drawn up by Anthony Lumsden, a techno-postmodernist.  So I clad it in shingles, inspired by some triangular dormers by Ike Kligerman Barkley, and set it on a chunky Tuscan colonnade (a la Graves), and called it ‘house’.

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a barn to live in

BARN_02

Taking its form from some barn structures I passed on my trip to Oregon, this house has two opposing axes, one large gable, and a hip-ish roof.  A spiral stair gently curves out on the side opposite the main entry.  Classical details sit happily next to vernacular forms.  Further formal explorations below

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some silos

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Driving on I-5 through northern California takes you through a lot of farm land, and reminds  you just how much of the American economy is agriculture.  This means silos – lots of silos, which of course got me thinking. . . From top to bottom: Two silos bridged by a glass Miesian volume; Two silos on a courtyard base, bridged at the top; a picturesque collection of three silos and a grain elevator; a  battery of six silos, spaces cut between them, topped with a temple form.

SILO_01

SILO_02

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modernism in temple garb

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Though taking its detailing from Greek antiquity, with a Doric portico in antis, this small structure is thoroughly modern in its four-square plan.  One enters off-center, in fact, the center is occupied by a column, and the front portico is only made of two columns, with one corner being a bearing wall (this wall is the in antis part).  An exedra flanks the main skylit volume.  Two variations follow.

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