What we have today is a study in similarities and contrasts – two houses, separated by a continent in distance (and climate), two distinct architectural styles (and building materials), and about fifty or so years of time (and appreciation.
The first (up top), is McKim Mead & White’s iconic Low House of 1886 at Bristol, Rhode Island, a long shallow gable of shingles, punctured by a subtle staccato of windows and oriels, all subsumed into the larger singular gable form. The second, Cary Grant’s Spanish Colonial Palm Springs residence of 1930, a shallow stuccoed gable punctured by deep-set windows and shaded by deep eaves and wood porches (now partially obscured by a later Wallace Neff designed addition).*
So naturally, why not try to bang ’em together? My initial reaction (below) is probably more Low than Grant, with protruding bays and banded windows, but is coated in white stucco like its Californian pedigree. I suppose a few more deep-set singular casement windows might just do the trick.
* Apparently, the home was originally constructed by Santa Monica based architect John Byers for one Julian Noles, a recent west coast transplant from Chicago – more info here.