In 1980, Jose Ignacio Linazasoro designed a deceptively simple renovation of a town hall at Segura in the Basque region of Guipuzcoa. While Linazasoro’s current work is of a decidedly modernist vocabulary, his earliest work was more neo-rationalist, taking heavy cues from Rossi and Krier (he even worked in the office of Venturi Scott Brown for a time). The town hall renovation in question reorganized the historic palacio to front an adjacent garden, adding a deep Syrian arch off of a square brick patio, and a long brick-columned pergola overlooking a deep valley and river beyond.
The top drawing outlines the new garden with an idealized ground floor plan of the palacio, while the drawing below is of the square patio itself, complete with herringbone brickwork, stone jointing, and a partial elevation of the archway.
A study in pure form, this project is a derivative of a previous post, with a curved pediment sits coplanar with the colonnade-cum-pergola that surrounds a circular pool, and some admittedly quirky curved glass-block walls mediating between the three bays of the facade with the smaller volume behind.
I had wanted to draw this while we were on site, but the monk who was giving us a tour was moving at a brisk rate. This is the entrance pavilion to Aalto’s Library at Mount Angel, as previously featured here, and is worth featuring because of the inherent classicism of it all – strictly modular, rigidly symmetrical (minus that one angled wall on the right), with a well-coordinated ceiling plan, brick floor patterning, column placement, and door/storefront alignment. For the über-modernist Aalto, this is proof that his early education in Nordic Classicism never truly left. Details below.