bridges, covered

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Oregon has a large number of covered bridges, where the wood trusses had to be protected from the persistent damp and subsequent rot and failure.  These are simple, rectangular, white clapboard (or board & batten) gabled ‘houses’, concealing impressive, large-scale Howe trusses inside.  I find engineered structures to have a brutal beauty, especially those of the early 20th Century, and often believe the Historic American Engineering Record to be much more fascinating than its architectural counterpart.  These covered bridges offer a wonderful contrast between the utilitarian trussed interiors and the domestic exterior form.  There might just be another project somewhere in there. . .

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aalto revisited

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I had wanted to draw this while we were on site, but the monk who was giving us a tour was moving at a brisk rate.  This is the entrance pavilion to Aalto’s Library at Mount Angel, as previously featured here, and is worth featuring because of the inherent classicism of it all – strictly modular, rigidly symmetrical (minus that one angled wall on the right), with a well-coordinated ceiling plan, brick floor patterning, column placement, and door/storefront alignment.  For the über-modernist Aalto, this is proof that his early education in Nordic Classicism never truly left.  Details below.

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a barn to live in

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Taking its form from some barn structures I passed on my trip to Oregon, this house has two opposing axes, one large gable, and a hip-ish roof.  A spiral stair gently curves out on the side opposite the main entry.  Classical details sit happily next to vernacular forms.  Further formal explorations below

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cabins & barns

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Following up on two themes from my northward journey, I’m giving you a look into two ideas, both alike in simplicity.  The Coast: a cabin, square with a large hip roof over a wrap-around porch, and elevations that need a good fleshing out.  Farmland: a barn, with deep eaves on three sides, enclosed in glass behind.

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a cabin

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Diagonally symmetrical, this small cabin type is a riff on the minimal, mid-century cabin we spent a week in on the Oregon coast.  The plan is four-square, with the living room occupying one corner, fully glazed, with the hearth as a corner-focused object: this is a direct quote of our cabin, down to the thin-gauge blackened steel hearth.  The rest of the plan stems from this single move, with the circular stair opposite, a study and kitchen flanking.  The roof runs a single gable along the diagonal toward the living room, but tapers back into a typical hip for the two other facades.

karelia in oregon

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Alvar Aalto has only three built structures in the United States: a dormitory at MIT, an interior on Manhattan, and a library at a Benedictine Abbey in Mount Angel, Oregon.  These few drawings are my rapid attempt to distill some important moments from the Abbey library, which I visited on a recent trip up the Pacific coast: A section through the skylit split-level reading room, and a plan beneath; a detail section through a typical study desk, which run the length of the double-height spaces, eliminating a traditional guardrail; and a detailed plan of a glass partition at independent study carrels, with hollow-steel-section framing members and wood stops – a beautiful, humane, change to the typical Miesian system.  There was so much more, but unfortunately so little time.

an oregonian lighthouse

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My wife and I drove the coast on our way back home from Portland, and we stumbled upon an lighthouse along the Coquille river in southern Oregon.  I was struck by the simple forms rendered in white plaster: the tall cylindrical light and a low lozenge-shaped accessory building.  These were both detailed in a pseudo-French collection of mannered profiles and mouldings, with large cyma-ed keystones and segmental arches, and iron king-rod trussed roof construction.  Civic work today pales in comparison.