a hillside courtyard

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I don’t know why courtyards intrigue me so much.  Perhaps it’s due to my living in the sun-drenched foothills of Southern California, where courtyard typologies have long dotted the land to provide shade in the summer and protect against winter winds.

Today’s project is yet another courtyard house.  This time stemming from a relative’s home perched atop the rolling hills of San Diego county.  The layout is simple:  A small patio protects the front door (to the left on the drawing), with a living room just beyond, a dining room to the right, and the kitchen and family room further yet; to the left are bedrooms and baths, with a stair down to a lower level tucked into the hillside below; a central courtyard is flanked by a covered patio which opens onto tiered terraces and stairs beyond.

Formally, my initial studies (below) were rather rectangular, with only one oriel window at the family room.  However, I couldn’t resist the fun a pinwheel-ed series of oriels would provide, lending one each to the family room, the master bedroom, a guest bedroom, and the dining room.  Here the plan takes cues from McKim Mead & White’s two casinos at Newport (also here) and Narragansett, with a dash of the Bell House (also here).  The bottom sketch further investigates a circular series of stairs at the patio, referencing the predominance of half-round oriel figures in the remainder of the plan.

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a library

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In another rift on Bruce Price’s library at Tuxedo Park, this project takes one long gabled volume, with trabeated Doric aedicules on either end, and meets it with a second gable on the short axis.  These two volumes don’t meet with a 90° corner, but are filleted with a quarter-round, in a nod to Stanley Tigerman’s Daisy House (among others).  The variations below ditch the primary gable for a low one running in the opposite direction, and the aedicules take up the difference in geometry.

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a cottage villa

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A square with Richardsonian towers on the corners, flat masonry facades in the main axis, with full-height shingle roofs over porches in the other.  A skylit circular stair in a square hall in the center with octagonal-ish foyers on either end with half-round aedicules for entry porches.

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shingles, circles, and squares

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This beach cottage betrays symmetry while remaining rigorously modular.  A tower surmounts the concave entry aedicule, a large half-round stair walled in glass block curves back into the square living room, where a circular bay window contrast with the entry, and a long porch is added onto the otherwise square, hip-roofed volume.

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