a hillside elevation

VILLA_09

Most often, architects design with ‘plan as generator’, that is we begin designing a building with the floor plan, and derive all the elevations, sections, and even details from it.

Today, though, is something different.  This began as an elevation – what you see above.  I was thinking something between Adolf Loos and Irving Gill, with a Richardsonian picturesque quality – a ‘character study’ if you will.  A rectangular volume makes up the center with a cubic one stepped down to the right and a smaller cube to the left, with a stair tower at the ‘rear’.

The plan – below – came after, trying to work out precisely how the different squares and modules worked together, playing localized symmetries and forms against one another, and eventually placing a formal parterre garden on the upper level with a pool deck on the lower, while a gravel auto court fleshes out the public side of the property.

VILLA_08

of circles and squares

LOOS_01

Today I’m featuring two disconnected and distinct projects linked only by one formal trait – circular forms inset within squares.

The top project riffs on Adolf Loos’ Steiner House, isolating the iconic barrel vaulted roof, expressing it as a bow truss on the interior, and topping it with a central circular skylight.

The bottom is a take on a vestibule in Lutyens’ Middleton Park, where a hemispherical dome is cut rather unceremoniously by a rectangular rather than the typical square room beneath, giving the dome an inherent axis.  I’ve topped this with a tall sculptural skylight, at once a nod to both the Choragic Monument and Michael Graves.ROTUNDA_01